As of May 2015, all Sarah Lawrence College Master’s theses are available digitally. They are made accessible in one of three ways:

1. “Thesis – Open Access” – If the document type in the metadata reads “Thesis – Open Access,” the thesis is available to download immediately via the Download button on the right. NOTE: If a thesis is embargoed for a specific length of time, the date after which the item will be available via open access is noted under the Download button on the right.

2. “Thesis – Campus Access Only” – If the document type in the metadata reads “Thesis – Campus Access Only,” the thesis is available only on the campus of Sarah Lawrence College via IP address or via the Off-Campus Download button if you are a current SLC faculty, staff, or student. You will need your MySLC login and password to access from off-campus.

3. “Thesis – Closed Access” – If the document type in the metadata reads “Thesis – Closed Access,” access to the thesis requires written permission from the author.

If you are not a member of the Sarah Lawrence College Community and you are interested in access to a “Campus Access Only” thesis, please contact the author (if the Contact Author button is available on the right) or request the item through Interlibrary Loan from your local librarian. For additional questions, please contact alester@sarahlawrence.edu.

Copyright for theses is held by the authors.

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Theses/Dissertations from 2015

The Witch of Venice, Michael Costanzo

What Caddy Could Do, Rebecca Czochor

The Daughters of Men and Guardian, Kate Davidson

Fucked:Where Good Things Come From, Peter Dearing

Mythologies, Jessica Denzer

North to the Future, Catherine Douglas

Things That Make Us Weak, Courtney Brynn Downing

God Bless the World in Which we Burn, Jeremiah Driver

The Ghost Flowers, Krista Briana Drummond

LATENCY, ÚRSULA FUENTESBERAIN

THE COURSE, Jaclyn Gilbert

Times Infinity, Gayane Mariam Haroutyunyan

Why I Sing, Melissa Heron

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Samples: A Collection of Essays, Caitlin Johnson

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Shot Away, Quincy Scott Jones

Points of Entry, Seth Katz

THE MAN ON THE BENCH, Yaron Kaver

My Lover, Don’t, Devin Kelly

Hex, Kayla Kirshenbaum

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Retro Fit & Original Copy, Benjamin Lambright

The Family Fantini, Jane Lancellotti

Behind the Magic 8 Ball, Amy Laprade

The Unbelievable Life of Gabe Fontaine, Lewis Largent

A Correspondence, Sal Magaddino

FISH LADDER, Bryan McAttee

Great Waves, Brian Miller

Plausible Deniability, Nicodemus Nicoludis

An Arrangement of Nature, Krystal Lopez Padley

THE REMAINS OF EVA DE LA VEGA, Courteney Palis

Show Yourself, Sarah Paolantonio

I’m on the Fence About Telling You, Alexandra Paradysz

Rita Hayworth & Brigitte Bardot: Mid-Century Sex Symbols in Film, Melissa Pesce

Digging for Amethyst, Genevieve Pfeiffer

The Meanest Boy In Queens, Adam Pizzo

The Blue Calendar, JARED MARCEL POLLEN

Through The Non Roof, Robin Rapoport

Wishbone, Brooke Rea

Our Small World, Edward Sabatini

A Flat- Headed Shovel Leaned, George Sawaya

Embarrassing the Moon, Alicia Schaeffer

Beneath Me, Katherine Schreiber

Crashing Waves, Sharon Siegel

Reality Whore, Amanda Solomon Ireton

Ghost Town, Heather Stadler

JULY 29, 19—— In the Town of ——, Arizona, Lizzie Thompson

Tidepool, Sheila Traub

An Excerpt from Greenwither Shaking, Moses Utomi

The Things I Tried To Forget, Jennifer Rose Valdez

SAYING IT MAKES IT SO, Jaclyn Van Lieu Vorenkamp

CHANGEOVER DAY, Peter J. Wade

Debris of After, Olivia Worden

Homemade, Suhasini Yeeda