As of May 2015, all Sarah Lawrence College Master’s theses are available digitally. They are made accessible in one of three ways:

1. “Thesis – Open Access” – If the document type in the metadata reads “Thesis – Open Access,” the thesis is available to download immediately via the Download button on the right. NOTE: If a thesis is embargoed for a specific length of time, the date after which the item will be available via open access is noted under the Download button on the right.

2. “Thesis – Campus Access Only” – If the document type in the metadata reads “Thesis – Campus Access Only,” the thesis is available only on the campus of Sarah Lawrence College via IP address or via the Off-Campus Download button if you are a current SLC faculty, staff, or student. You will need your MySLC login and password to access from off-campus.

3. “Thesis – Closed Access” – If the document type in the metadata reads “Thesis – Closed Access,” access to the thesis requires written permission from the author.

If you are not a member of the Sarah Lawrence College Community and you are interested in access to a “Campus Access Only” thesis, please contact the author (if the Contact Author button is available on the right) or request the item through Interlibrary Loan from your local librarian. For additional questions, please contact alester@sarahlawrence.edu.

Copyright for theses is held by the authors.

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Theses/Dissertations from 2019

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The Practice of Choreography Within Practice-as-Research: Choreographing in the Simultaneity of the Non-Simultaneous, Lu Shirley Dai

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Re-Imagining Plural Identities: Cultural Code-Switching and the Dancing Body, Ingrid Dehler-Seter

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Locating and Losing the Self: Explorations of Trauma and Identity in Live Performance, Nadia Hannan

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Queering Spatial Relationships Between Audiences and Performers Relational Aesthetics & Queer Spaces in Contemporary Concert Dance, Kate Shugar

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Choreographic Excavation Through Dramaturgy, Marie Zvosec

Theses/Dissertations from 2018

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Anarchist Movement: Power, Dissent, and the Possibility of an Autonomous Dance, Nathalie Jonas

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The Mobile Body: Examining Perception through Choreography, Dance, and Performance, Alaina Wilson